hringvellIR / THINGVELLIR TURNING (2018)
Thingvellir National Park, 2019.
Gerdarsafn Art Museum, Kópavogur Iceland. Cycle Music & Art Festival, Inclusively Exclusive
hringvellIR / THINGVELLIR TURNING (2018)
Thingvellir National Park, 2019.
Gerdarsafn Art Museum, Kópavogur Iceland. Cycle Music & Art Festival, Inclusively Exclusive
hringvellIR / THINGVELLIR TURNING (2018)
Thingvellir National Park, 2019.
Gerdarsafn Art Museum, Kópavogur Iceland. Cycle Music & Art Festival, Inclusively Exclusive
ANNA RÚN TRYGGVADÓTTIR
render and react 2014
The MAI, Montreal Canada 2014
Hafnarborg Museum, Hafnarfjörður Iceland 2016
Render and React is a large-scale installation built from dripping liquids, colour, responsive materials and amplified sound. Anna Rún constructed a system in which substances acted upon one another over time, allowing the installation to develop throughout its presentation rather than settle into a final arrangement.
The sound of dripping liquid was amplified until an ordinarily minor event became a dense auditory presence. This magnification altered the scale of the material action: drops that might otherwise register as background became the force that launched and organised the performance. Visual and acoustic change emerged from the same process.
First presented at The MAI in Montréal in 2014 and later at Hafnarborg in 2016, the work belongs to the formative period in which Anna Rún established her approach to process-based sculptural performance. The installation functions like a laboratory, but not one directed toward a conclusive experiment. Its mechanisms create conditions for reaction while leaving space for viscosity, gravity, absorption and accumulation to determine what follows.
The title describes a reciprocal sequence. Materials are rendered visible through the traces they produce, yet they also react to the system, to one another and to the changing environment. The viewer encounters not a fixed object but an event already underway—an arrangement whose meaning resides in the physical negotiations through which it continually takes form.














HAFNARBORG



